Throughout the years, Laurie Meyer has created a special collection of works in which she imagines that John Singer Sargent paintings hang in locations special to her. Most recently, she painted Sargent’s El Jaleo into a scene from the Sanctuary Hotel — a painting within a painting.
Says Meyer: “The masterful works of Sargent are the most inspiring. With my ‘Sargent at the Sanctuary’ series (there are several prints in the lobby area), I am able to paint the beautiful interior of the Sanctuary on Kiawah Island and insert whichever Sargent painting I choose. For this painting, I selected the haunting El Jaleo, a true favorite.”
Carlos San Millán’s incredible interior paintings are a part of our newest exhibit, Inside Voices. We spoke with him about his work for the show, his favorite artists, and more:
Meyer Vogl Gallery: You paint a lot of interiors. What about this subject excites you? Carlos San Millán: I like to paint portraits of spaces and places, and I always choose my subjects looking for its evocative power. I feel attraction to places where memory load can be sensed looking at the disposition of objects, the atmosphere or the invisible presence of those who inhabit or have inhabited that place.
MVG: Give us a glimpse into a day spent painting. Any studio rituals? CSM: I’m very methodical due to my technical process and hardly ever improvise my work sessions. I always listen to classical music while painting.
MVG: Artists you admire (whether living or not living): CSM: My leading artists are certain old masters like Velázquez, Turner, Vermeer. Also Hammersöi and Edward Hopper as interior painters, and Antonio López García, Lucian Freud, and Ewan Uglow as masters of that so-called ‘diaphanous painting,’ interested on surfaces and representation of matter.
MVG: Favorite places to travel to be inspired? CSM: I love Portugal. Sintra is one of the most beautiful places I’ve ever seen, and Lisbon is a wonderful city to walk.
MVG: Your perfect day off: CSM: Painting in the morning and enjoying the rest of the day with my family and friends.
MVG: Can you tell us about the room in this painting … where is it? What drew you in?
CSM: That unique place is the old studio of a friend of mine, also a painter, named Antonio Herrera. He lived in Madrid and moved recently to Mexico. I’ve been painting that inspiring house and studio for years. I could say that I developed my interest in interior views painting those rooms over and over again.
“Color provokes a psychic vibration. Color hides a power still unknown but real, which acts on every part of the human body.” – Wassily Kandinsky
From left to right: Marissa Vogl, Alex Lindstrom, Debbie Kelley, Katie Geer, Sara Burd, and Laurie Meyer
We figured it was about time that we answered your most pressing questions …
LAURIE MEYER Artist, Owner
Meyer Vogl Gallery: Which piece of artwork in the gallery are you most coveting at the moment? Laurie Meyer: Marissa Vogl painted a series of incredible work inspired by a trip we took to to Ischia, Italy. Linens and Boats is a painting that is simply brilliant; Anne Blair Brown’s Outdoor Entertainment shines in fantastic light.
MVG: If a real-estate genie granted you homes in any three places in the world, where would they be? LM: I love this question because I truly dream about this! Park City Utah; Tuscany; and the perfect Caribbean island.
MVG: If you could go back and paint in any art period, which one would you choose? LM: No doubt, I would be in France with the then new school of artists, eventually dubbed the “impressionists.” I’d learn light, shadow, and atmosphere from these painters and then party in Paris with them.
MVG: If you could instantly be an expert on any subject, what would it be? LM: Playing the piano.
MVG: What’s the best prank you’ve ever played on someone? LM: I asked a friend to pose as a potential collector of artist Kevin LePrince’s work during the Piccolo Spoleto Outdoor Art Expo. He asked Kevin if he could take a certain 16×20 landscape on “approval.” My friend then secretly passed the painting to me and, during the night, I had it made into a giclee print. Hahaha! I’m laughing thinking about it! I replaced the original with the fake in its beautiful frame and got it back to my friend in the morning. He returned it to Kevin, stating it wouldn’t work in their home. Hahahahah!! Omg, it was the best! (I had the original safe and sound. Don’t worry.)
MARISSA VOGL Artist, Owner
MVG: Which piece of artwork in the gallery are you most coveting at the moment? Vogl: Anne Blair Brown’s Light Stroll. Thelight and palette choice creates such a relaxing and warm atmosphere, along with the feel of a quieter Charleston where traffic is nonexistent. She makes this ordinary subject so romantic.
MVG: If a real-estate genie granted you homes in any three places in the world, where would they be? A cabin in Montana on Flathead Lake, a two-acre lot with a marsh view on James Island, and a simple Italian villa in Sant’Angelo of Ischia, Italy.
MVG: If you could instantly be an expert on any subject, what would it be? MV: If I could be an expert in any subject it would be biology — the science of plants, animals, and all of mother nature’s wonders.
MVG: What’s a hobby you never picked up, but wish you did? MV: My desired level of white-water kayaking. I dabbled back in college and still raft but not at an extreme level.
SARA BURD Gallery Associate
MVG: Which piece of artwork in the gallery are you most coveting at the moment? Sara Burd: This changes all the time! I am loving the big Sandy Ostrau piece, Morning Glow. It’s gorgeous and makes me feel like I’m living in her work. The texture on it is delicious.
MVG: What’s something surprising about working in an art gallery that people might not expect? SB: You need to be very well versed in communication skills. I find myself having to navigate different types of conversations and interactions from all sorts of people and am so thankful that I have a communication background to help me connect with our guests. I’ve also become quite the self-taught concierge for our out-of-town clients.
MVG: What podcast are you currently loving and why? SB: Ologies! It’s so good. This woman interviews experts in different fields. My favorite episode was Egyptology or Phonology.
MVG: What’s your nickname and why? SB: Wawa — my little sister couldn’t say “Sara” when she was a toddler.
MVG: If you could only save one piece of art from your home during a fire, what would it be? SB: My small Sandy Ostrau painting that my mom bought me for my 24th birthday. I love i!
ALEX LINDSTROM Gallery Associate
MVG: Which piece of artwork in the gallery are you most coveting at the moment? Alex Lindstrom: I am really lovingCarrie Beth Waghorn’s faces series. I think that they would be amazing horizontally in a big space.
MVG: What podcast are you currently loving and why? AL: I am huge on Dax Shepard’s Armchair Expert. He is so funny and interviews very interesting celebrities and really gets into their personal lives. I also have been tuning into the Wall Street Journal’sSecrets of Wealthy Women podcast. They are very short episodes and give great business and financial advice.
MVG: If a real-estate genie granted you homes in any three places in the world, where would they be? AL: New Zealand, South of France, and Greece. All with the most spectacular scenery!
MVG: What’s your favorite dessert and can you find it in Charleston? If so, where? AL: Definitely creme brûlée. Stella’s has a wonderful creme brûlée and tiramisu also. My second would be at Wild Olive. They have this dessert where it is fresh gelato with espresso poured over it. I could eat it every single night!
DEBBIE KELLEY Gallery Associate
MVG: Which piece of artwork in the gallery are you most coveting at the moment? Debbie Kelley: The big, beautiful Sandy Ostrau! Morning Glow.
MVG: What’s something surprising about working in an art gallery that people might not expect? DK: I love learning about people and their love for art. Everyone is so unique in what brings them joy!
MVG: What’s a hobby you never picked up, but wish you did? DK: I have always wished I could play the piano. That was not part of my young family life. And our children had no desire, nor did we try to wish it for them.
MVG: Favorite spot to grab a cup of coffee? DK: Starbucks. In fact, it’s always been on my bucket list to work at Starbucks. So, I did it! I’ve been working at Starbucks for a year now (in addition to the gallery). Between art and coffee, entertainment is easy.
KATIE GEER Owner, Director
MVG: Which piece of artwork in the gallery are you most coveting at the moment? Katie Geer: Laundry Day in Ischia by Marissa Vogl has been stopping me in my tracks this week. Along with about 1,985 others. (See Director’s Picks above).
MVG: If you could only save one piece of art from your home during a fire, what would it be? KG: My mother recently surprised me with a portrait of my two-year-old daughter, Mae. If there was a fire, I’d be running out the door with Mae (and my other daughter, Elliott) in one arm and the painting in the other. By the way, in case you didn’t know — my mother is Laurie Meyer. Lucky me!
MVG: What podcast are you currently loving and why? KG: I’ve always had a coffee dependency (can’t survive without it in the morning), but recently that do-or-die morning routine also includes listening to The Daily from the New York Times (while drinking coffee, of course). For an art fix, I also like Art History Babes.
MVG: What’s the strangest family tradition you have? KG: Oh no, they’re going to kill me for spilling the beans! Every Christmas Eve, with a glass of champagne in hand, we take out the markers and draw mustaches, glasses, and the like on the faces of people who sent us Christmas cards. Please don’t stop sending them to us!
Each month, interior designers, art consultants, and other creatives fill us in on the pieces in the gallery that have them excited. We recently talked to Julie Wynne Jones, a friend and art & design consultant based out of Atlanta. Here’s what she picked:
Morning Glow by Sandy Ostrau 48″ x 60″ oil on canvas
Embrace by Susan Altman 48″ x 60″ oil on canvas
Transitions by Aimee Erickson 12″ x 12″ oil on panel
Catch of The Day by Laurie Meyer 24″ x 30″ oil on linen
Whispers by Susan Colwell 15″ x 20″ monotype
Julie Wynne Jones Art + Design Consulting
Julie started her art consulting business in August 2015. Since then, she has helped individuals, interiors designers, and corporate clients in art advisement and acquisition. Her comprehensive database, featuring works by contemporary artists from around the country, includes an array of sizes, mediums, subject matter and prices — ensuring clients find the perfect piece for their space.
We are excited to help spread the word about a new line of limited edition prints recently released by our friends at The Letters NYC. Founded by New York City art advisor, Lara Björk, The Letters NYC publishes prints to please children and adults alike (you may remember Lara from curating the exhibition Bicoastal at the gallery a couple of summers go).
The illustrations are done by Pauline de Roussy de Sales, who has lent her hand to the likes of Vogue, Bobbi Brown, Man Repeller, and Marc Jacobs, to name a few.
The letters are activated with cheeky odes in the spirit of each subject, with tributes to pop culture, local favorites, iconic artworks, artists, and movements, from James Brown’s saucy dance moves to our sweet Carolina peaches.
We know the colors and forms will appeal to the little artists (looking at you, Jasper Johns), and the prints ship with an accompanying letter reference guide for the adults as well.
In honor of the group show Pink Street, we have decided to round up some of our favorite pink spots in Charleston. The inspiration for the show came from the varying shades of pink at our very own street corner (Meeting and Queen Streets), but soon we were noticing the color everywhere we looked.
The Corner of Meeting and Queen Streets
Our lovely little intersection brings so much color to Charleston’s already brilliant cityscape.
The champagne bar at Hotel Bennett
The brand-new Hotel Bennett has a gorgeous bar that brings all of our pink dreams to life.
Semilla’s millennial pink interior makes the modern Mexican-inspired restaurant that much more enjoyable.
The Palmer House
The Palmer House has been an icon since 1848 and is certainly one of the most notable pink places in Charleston.
Rainbow Row is one of the most well-known blocks in Charleston. Nestled between colorful houses lies this perfectly pink house.
Our favorite spot for shrimp and grits is deliciously pink.
September 13 – 20, 2019
(arrive on September 13 and depart on September 20; paint September 14 – 19)
You will learn plein-air painting principals to create beautiful works in this quaint and fairytale-like Portuguese town, just 30 minutes from Lisbon. We will paint colorful architecture, breathtaking landscapes, and more. Enjoy accommodations in the beautiful and historic Casa Holstein Quinta Sao Sebastiao. Dine in some of the finest Portuguese restaurants and spend some time in Lisbon and other neighboring towns.
If you’ve been in the gallery lately, you’ve probably spotted the color-rich and water-inspired works by local artist Susan Colwell. Her work depicts dreamy horizons and waterscapes pressed upon raw edged paper. Colwell’s creations are monotypes — one-of-a-kind prints.
Blue Mystic by Susan Colwell
13 x 11 monotype with oil
To create monotypes, artist draw or paint on a smooth plate such as glass, copper, zinc, or acrylic glass. The plate is then pressed against paper to transfer the ink or paint so that the final product is a mirrored image of the original drawing/painting. This artistic process allows for variation and experimentation. Artists can change up their monotypes by applying varying pressures to different spots on the plate or printing in layers. It’s important to note that monotypes are different from printing in that they do not use an etched surface to replicate the same exact image as one would do with a printing press.
It’s hard to pinpoint who created the first monotype, but Giovanni Benedetto Castiglione was known to use this method in his artwork in the 1640s. Other notable artists that used monotyping include Chagall, Degas, and Gauguin.
One major characteristic of monotypes is that it gives the final work an element of chance because ink placed during the transfer process can change. That’s what gives Colwell’s art energy and unique personality. Next time you’re in the gallery, take a closer look.
Welcome to the inaugural “Our Favorite Designers // Their Favorites Pieces,” where interior designers we love fill us in on what’s got them excited in the gallery right now. First up is Hannah of Charlotte-based Hannah Ozburn Interiors. We love Hannah for her sophisticated eye and the way she embraces color.
Hannah’s Gallery Favorites
Innocent Soul by Marissa Vogl
30 x 40 oil on canvas
Mandarin Creek, I & II by Laurie Meyer
48 x 72 oil on linen
Monhegan Moment by Susan Altman
22 x 30 pastel and woody on paper
Personal Space by Anne Darby Parker
20 x 16 oil on canvas
Plunge III by Dylan Martinez 16 x 7 glass
Hannah Ozburn Interiors
Hannah recently moved to Charlotte from Nashville, but worked under interior designer Steven Gambrel for 6 years in NYC. He is known for his bold use of color, so a lot of that is seen in Hannah’s work. She loves using color, mixing old with new, and most importantly, creating spaces that people can live in, as many of her clients are younger families with children.
FREEDOM TO EXPLORE Workshop
With Marissa Vogl
Sign Up for the Spring or Fall Workshop!
In this three-day workshop, Marissa addresses why it’s important to give yourself the limitless freedom to explore different styles, paint applications, tools, and mediums (such as cold wax). Students will look at how exploration results in paintings with spontaneity and energy.
“My work is about the journey before it is about the end result,” says Vogl. “Painting for the journey has expanded my bag of tricks. What happens when you consciously use a palette knife, a shower squeegee, and a round 14 in the same painting? Are you comfortable scraping off a large area and going back over it with one sweeping motion in a larger tool? Learning when to use each trick (that is the tricky part!) will allow you to create effortless spontaneity and evoke energy and emotion.”
Learn why understanding various techniques, mediums, and tools is important to an intuitive and painterly style of painting.
*Requirements: I will be working with students who have a basic understanding of oil paint, have their own portable (plein air) easel, and know how to work their equipment.
Dates: Spring Workshop: Wednesday, May 22 – Friday, May 24
9 – 4pm
Fall Workshop: Wednesday, October 23 – Friday, October 25
9 – 4pm
(A $300 deposit is due upon signing up. The balance can be paid during the workshop).
Meyer Vogl Gallery
122 Meeting Street — Charleston
A more accurate list would include 20 or 30 (or 40). But here’s a look at 10 standout pieces of artwork from 2018. Some are available; some have found homes; all excite me incredibly.
— Katie Geer, gallery director
The Parade by Laurie Meyer
38 x 60 oil on linen SOLD
Scarlet Begonias by Marissa Vogl
38 x 60 oil on linen SOLD
Plunge I – V by Dylan Martinez
dimensions vary; $1800 each
Tuesday’s Peonies by Nancy Hoerter
10 x 8 oil on board SOLD
Seaside Resort by Sandy Ostrau
36 x 36 oil on linen SOLD
Play the Blues by Anne Blair Brown
16 x 16 oil on linen
Rosemary by Carrie Beth Waghorn
28 x 21 India ink on French paper SOLD
Afraid to Love, Afraid to Fail by Aimee Erickson
12 x 24 oil on panel
Feelin’ Good by Susan Altman
60 x 48 oil on canvas SOLD
These Three Things by Diane Eugster
14 x 14 oil on panel
Color of the Year: Living Coral
By Sara Burd, gallery associate
For 2019, Pantone has chosen Living Coral as its Color of the Year. This vibrant color inspires warmth, energy, and joy.Pantone says, “Representing the fusion of modern life, Living Coral is a nurturing color that appears in our natural surroundings and at the same time, displays a lively presence within social media.”
According to Artsy, coral has quite a history in fashion and society. Coral used to be worn as jewelry by the Egyptians and Romans as it was believed to ward off evil. It was used as jewelry in the Victorian Era and popped up again in the 20s and 60s.
It took quite a long time for society to name the color “coral”, as the color did not have a specific association for centuries. It was sometimes called “yellow-red.” It wasn’t until 1910 when the use of cadmium red paint (which included a wide range of orangey-red colors) by the impressionists gave way to the popularity and recognition of coral. Coral started popping up in artwork by the era’s greatest artists, like sunrises by Claude Monet.
Pantone chose Living Coral to represent protection and good energy in this new year.
Here are some of our favorite coral-ish works in the gallery:
A Scoop of Sherbet by Laurie Meyer
An Innocent Soul by Marissa Vogl
Flying High by Susan Altman
Beach Madonna by James Richards
Marissa Vogl Answers: Why Birds?
Love Marissa Vogl’s bird paintings? The artist explains her connection to the feathered animal.
“Vogl, my last name, means bird in German. Beyond that, I’ve always had a serendipitous relationship with birds,” she says.
“I grew up in Montana; March and April can be surprisingly bitter cold there, with a landscape layered in rock-hard layers of ice, which, weeks prior, was snow. For as long as I can remember, my mother would stand at the window searching for the first sign of Spring. To her, it was a bluebird.
“A bluebird sighting would call for celebration and give you enough joy to endure a few more weeks of surprise snow dumps. We would call all our family members to let them know Spring had arrived. My grandfather would build bluebird houses for all five of his children; he’d even put them up and clean them out every Fall to prepare for the next migration. We had bluebird houses lined up along the 20 acres of barbed wire fence at our home that sat in the middle of a vast wheat field at the base of the Elkhorn Mountain range. My other favorite sign of Spring was the song of the Western Meadowlark, which sounds like a magical flute. After my grandfather passed away, we all started noticing that he was coming to visit in the form of a bluebird. For me “Stormin’ Norman” usually shows up on a par 3 of the golf course to mock my bogey (he taught me to golf on a par 3 course and would often make a hole in one).”
Look for more about Marissa and her love of birds in the February issue of Art Mag.
Are You on our Bird Watchers List?
On the 4th of every month, we release four new bird paintings by Marissa Vogl. They go quickly … so make sure you’re on the list to receive notice before anyone else.
I love how holiday traditions are expressed through different mediums and showcase art forms from different cultures. I’ve always loved decorating my family’s tree with Scandinavian ornaments passed down through generations. This got me thinking … who started creating ornaments to decorate Christmas trees in the first place?
My curiosity got the best of me so I did some research. According to Culture Trip, Christmas ornaments on trees are thought to have originated in 16th century Germany. Germans decorated their trees with red apples, painted walnuts, and wool. Wealthy families even used delicate glass ornaments or real silver tinsel.
German immigrants eventually brought this practice over to the United States in the 18th and 19th centuries, but Americans didn’t really partake in the tradition until the 1840s when the Queen of England was depicted with a decorated tree. High-society Americans decided that if the Queen was doing it, it was good enough for them.
Queen Victoria and her Christmas Tree
Merchants in the States immediately jumped at the commercial opportunity that decorative ornaments provided and started selling millions of dollars worth of imported German glass-blown decorations. Christmas trees have since become a festive medium of expression and tradition for families around the world.
Not sure about you, but we could listen to Laurie Meyer talk about colors all day! She is our queen of color theory. Laurie has a knack for choosing just the right pop of color to add to her gorgeous works, so we thought we’d share some of her color genius with you.
“Here are two violets made with ultramarine blue. The first is with Cad Red Lt-a red with a bend toward orange. This mixes to a more neutral gray/violet. The second is mixed with a cool red, quinacridone red, and mixes to a purer, more spectral violet which can bend red/violet to blue/violet depending on the balances of red and blue.”
“Yes, blue and yellow make green, but it’s the modulating of this secondary color that provides an amazing array of natural greens. The first is modulated with violet and the second is with red. Add white to cool or yellow to warm.”
“Grays can be fun to mix! Complementary colors are a great way to get started. Here I chose a red and a green to get the neutral I used in a landscape.”
We asked a few of our artists to share some of their early works since ink & oil landed on a Thursday this month. It’s so fun being able to see how everyone has grown and changed their styles throughout the years.
These early works by Marissa are just as beautiful and vibrant as her works today. She has always had a passion for color.
Anne Blair Brown
Anne painted this interior piece in the ’90s.
Nancy painted these pieces while she was a student at Auburn University.
Laurie painted this first watercolor piece of Shannon and Jennifer Smith, from Anglin Smith Gallery, in 1994. The second work is of our director, Katie Geer, and her friend, Kelly, in 1990.
Thanks to our artists for taking us on a trip down memory lane!